Blog 6: Romanticism vs Impressionism
After Neoclassicism of the 1700s, the 1800s brought new styles of paintings to the world. The 19th century marked the start of the Romantic era. Styles such as Romanticism, Realism, Impressionism, as well as others filled the century with beautiful and well known works of art. In the first half of the century, Romantic style was prominent and resulted as a reaction against Neoclassicism. Impressionism took off in the latter half. We'll be taking a look at how these two styles compare.
Within the Romantic style, there was a range of subject matter. It could depict beautiful landscapes or horrible tragedies and injustice. Romantic paintings were meant to elicit emotion from viewers. Our first work of art is a German Romantic painting titled Wanderer Above the Sea Fog. It was created in 1818 by Caspar David Friedrich. It depicts a man peering our across a vast landscape. The painting employs Rückenfigur, a compositional device where a figure stands, back to the viewer, and takes in the scene around them. This painting has subjective aspects to it. Subjective art that was more open to interpretation was a common theme in the Romantic style. This is an example of that. It is unknown who the figure in the painting is. There was debate among scholars, but it was never proven or confirmed by the creator. This creates mystery in the painting and leaves it open to interpretation.
This painting has a certain duality to it, between the beauty and peril of nature. The figure stands on a precipice. He is at the top of a cliff and is surrounded by appears to be surrounded by cliffs. One step is all it takes to fall. On the other hand, the view in front of him is beautiful. There is a contrast between the soft clouds and the jagged rocks. The light is soft in the sky. It's beautiful but bare and slightly vulnerable. It's said that this terror and beauty in nature is rooted in Friedrich's past. When he was 13, his brother drowned after falling into a frozen lake while ice skating. Nature can be divine and unforgiving. In this painting, Friedrich created this landscape from his mind, as it was not something he actually viewed. He included details from various places he had visited in Europe. I think this is reflected in Friedrich's philosophy of art. According to Brittanica, Friedrich stated, "The painter should not paint only what he has in front of him, but also what he sees inside himself. If he sees nothing within, then he should stop painting what is in front of him."
There are three elements to this work of art that stand out to me - texture, color, and line. Ephemeral texture is used. The clouds move between the cliffs, and the texture is subject to change. The soft texture of the clouds is contrasted with the hard, jagged surfaces of the cliffs and peaks. The color also works to give contrast to the painting. The darkness of the hills and light blues and whites of the sky give depth to the painting and make it pop. The line also works to add to contrast. The vertical lines add to the painting by giving it height and strength, while the horizontal flowing lines show the distance and calm. I like how these elements work together to give the painting a dynamic feeling and emphasizes the greatness and danger of nature.
The next painting is Raft of the Medusa, by Théodore Géricault. It was created around 1818-1819 in France. This is a very different side of Romantic art. This painting was quite controversial at the time. Just by looking at the painting, you can see the drama and despair. The painting is incredibly moody. This is enhanced once you know the story behind this painting. The Medusa was a French Naval warship that crashed in 1816 and left 147 people stranded on a raft in open water with no food or resources. It's said that it crashed due to the incompetence of the ships Captain, who gained his position due to connections to the Bourbon Restoration Government. They were stranded at sea for 13 days before being rescued by French brig Argus. Over the course of these days, the people fought for survival and even resorted to cannibalism. The survivors dwindled from 147 down to only 13. It's said that the same Captain who was at fault for the errors let the lower ranking individuals die and only focused on saving himself. Géricault created this painting soon after the event, and the gruesome nature and reality of the horrors those individuals faced shocked viewers. The story was still fresh in the publics mind. Additionally, the Government was hostile regarding this painting due to their connection to the errors made.
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